The show “Entrelinhas” has as its central theme the various expressions of violence against women, through a three-dimensional dialogue between space (internal and external), time (past and present) and ideology (machismo and feminism). Its scenic construction, based on a synchronic masonry between body, movement and sounds, exposes psychological, emotional and sexual violence, and denounces the cultural process of silencing female discourse from its formation to the present day, despite the significant socio-political conquests , for a sexist, slavery and misogynist society.

Throughout the show it is possible to plunge harshly into the wounds and scars of this naturalized oppressive system that mutilates millions of women in Brazil and worldwide, and inverts the roles of victim and executioner.

The intense and symbiotic bodywork is combined with several scenic elements to compose a dramaturgical score with a greater wealth of details and historical references (the flanders mask - used by the legendary slave Anastácia in the torture sessions by her master, the bra - symbolic tool of women's freedom in the 60s - and high heels, symbol of power and independence of women in contemporary times, are some examples).

“Entrelinhas” is a tearing, empowering and urgent manifesto that puts us entirely in the historical wound of a conservative and hypocritical society, always educated to colonize the female existence through domestication, subordination and violence of the body, of other people's desires and desires .