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Revista de arte com protagonismo preto
Digital Ponto Art Magazine is an independent project, built with the collaboration of artists from Salvador and aired bimonthly. A space where artists and admirers can get to know and share their work, ideas, opinions and increase the collaborative network.
The Project, which was launched in August 2016, involved more than 80 stakeholders from different areas of activity, in addition to the Ponto Art team.
More than 12 million people have accessed the publications. A massive crowd taking part!
Video of the 2nd anniversary of Revista Digital Ponto Art (2018)
COLUMNISTS
Alana Falcão started her studies in Dance in 1999. Since then, she graduated and has been branching out her reach in the area at a professional and academic level. She has been a dance artist since 2006 and a teacher at the Salvador municipal school since
2011. Currently, she is a master's student at PPGDANÇA-UFBA and researches relations between Dance and Internet; as an artist, he is part of the Nii-Collaboratory action program.
Alana has been glued to Revista Digital Ponto Art since our 6th edition.
Daniel Arcades is an actor and playwright. She is a member of two theater groups in Bahia, NATA - Núcleo Afrobrasileiro de Teatro de Alagoinhas and Cia. Casamento Aberto. With more than fifteen plays assembled in Bahia, he recently won the Braskem Theater Award for best author for the text “Rebola”. He holds a Master's degree in Cultural Criticism and a degree in Letters, both from UNEB.
Daniel has been a columnist for Revista Digital Ponto Art since the 6th edition.
Felipe Ferreira is a writer and screenwriter. He has a degree in Letters from UCSAL and a postgraduate degree in Cultural Studies, History and Languages from UNIJORGE.
He writes since he can be understood by people. More professionally speaking, he has 3 years of profession. He published his first text on January 16, 2014, in "Cinemação" (website he writes until today).
He debuted in our magazine by subscribing to the cover story of the 6th edition and the column "Ponto de Referência", covering Jack Elesbão's interview with the actor and cultural manager Bertrand Duarte.
Cazo Fontoura is a teacher, writer, screenwriter, poet and has stuck with us since the beginning of Revista Digital Ponto Art (August 2016) and until today is responsible for revising the texts that go to the Magazine.
It works like this: The guys do the material, we send it to Cazo and he resends it with the necessary corrections. Simple, right? But a very important work (we did not release the edition without having the texts go through it) and an indispensable partner for the Collective.
Cazo Fontoura is a teacher, writer, screenwriter, poet and has stuck with us since the beginning of Revista Digital Ponto Art (August 2016) and until today is responsible for revising the texts that go to the Magazine.
It works like this: The guys do the material, we send it to Cazo and he resends it with the necessary corrections. Simple, right? But a very important work (we did not release the edition without having the texts go through it) and an indispensable partner for the Collective.
Cazo Fontoura is a teacher, writer, screenwriter, poet and has stuck with us since the beginning of Revista Digital Ponto Art (August 2016) and until today is responsible for revising the texts that go to the Magazine.
It works like this: The guys do the material, we send it to Cazo and he resends it with the necessary corrections. Simple, right? But a very important work (we did not release the edition without having the texts go through it) and an indispensable partner for the Collective.
Cazo Fontoura is a teacher, writer, screenwriter, poet and has stuck with us since the beginning of Revista Digital Ponto Art (August 2016) and until today is responsible for revising the texts that go to the Magazine.
It works like this: The guys do the material, we send it to Cazo and he resends it with the necessary corrections. Simple, right? But a very important work (we did not release the edition without having the texts go through it) and an indispensable partner for the Collective.
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